Sparkling beauty

Radiant Vintage Brilliant Ring: 0.96 Ct In Gold, Circa 1990 Years

The brilliance of a brilliant cut diamond is unique. Sparkling and bright, at the same time white and full of all the colors of the rainbow - no gemstone has the brilliance and fire of the king of gemstones. At the same time, the fire of a diamond increases many times over with the number of stones processed: a single, glistening surface of light is created. This is exactly how this elegant ring in yellow gold is designed. Twelve brilliant-cut diamonds are set close together to form two rows laid across the finger, following the course of the ring. The ring of the years around 1990 shows the love of those years for clear geometry. Much like the architecture of the time, the ring eschews unnecessary ornamentation and adorns as simply as it does elegantly. Nothing is unnecessary or too much, and yet the design exudes a wonderful luxury: Because the diamonds and the warm glow of the gold are just everything but barren. The ring is in first-class condition; we were able to acquire it here in Berlin.

In ancient times, diamonds were valued primarily for their incomparable hardness. As symbols of invincible strength, their beauty was secondary at best. In fact, early diamonds do not appear at all attractive to the modern eye. Medieval cutting techniques also did not allow for spectacular light reflections, and the widespread table cuts only brought out the brightness and color of the stones. All this changed in the graduated 17th century. The nobility of the Baroque period developed a taste for glittering gemstones. Rose-cut diamonds, whose multiple facets beautifully reflected candlelight, were especially popular. In the middle of the century, a first, early brilliant cut developed, called the Mazarin cut after the influential Cardinal Jules Mazarin, characterized by a crown with 17 facets. By the end of the century, these diamonds were then replaced by a new shape, named the Peruzzi cut after its inventor. Vincenzo Peruzzi was a gem cutter from Venice who increased the crown of the diamonds by additional facets to a total of 33, thus increasing the fire of the stones enormously. However, these early diamonds were not standardized in terms of the number and shape of the facets. Each stone was cut in such a way that as much substance as possible could be preserved. New diamond deposits in Brazil in the second half of the 18th century then led to a cut shape that became known as the Old Mine Cut. These diamonds are already very similar to today's full cut brilliant cut diamonds, but several more generations of constant improvement in cutting techniques would be needed before the Old Mine Cut became first the Old Cut (or Old European Cut), and finally in the 1940s the modern full cut.

We want you to be 100% satisfied! For that reason, we examine, describe and photograph all of our jewellery with the utmost care.

You can rely on our years of experience in the trade and our expertise as a professional art historians for reviews of the antique jewellery. As a member of various trader organisations and the British Society of Jewellery Historians, we remain committed to the highest possible degree of accuracy. In our descriptions, we always also indicate any signs of age and defects and never hide them in our photos – this saves you from any unpleasant surprises when your package arrives.

Should you for some reason not be satisfied, please don’t hesitate to contact us so that we can begin to find a solution together. In any case, you can return any article within 30 days and we will refund the full purchase price.


We want you to be 100% satisfied! That’s why we examine, describe and photograph all our jewellery with the utmost care.

If for any reason you are still not satisfied, contact us and we will find a mutual solution immediately. Regardless, you can return any item within 30 days and we will refund you the full purchase price.