Symbol of love

Modern white gold ring with sparkling 1.00 ct brilliant cut diamond, circa 2010

A ring with a single, large diamond is considered the classic engagement ring today. Here, the precious (and, according to legend, indestructible) stone stands for eternity - which is thus meant to underline the duration of the promise made with it. Significant for this connection was the New York jeweler Charles Lewis Tiffany. Tiffany first marketed such rings through his mail-order catalog in 1886 and specifically promoted them as engagement gifts. In fact, however, the tradition of seeing a diamond ring as a symbolic piece of jewelry is far older. As early as 1477, it is said, Duchess Mary of Burgundy received a diamond ring as a promise of fidelity from her future husband Maximilian of Habsburg. Another interesting chapter on this subject can still be followed today in the art city of Florence. Here Piero de' Medici chose the diamond ring as his personal emblem, as his imprese. The son of Cosimo and father of Lorenzo il Magnifico had this ring, adorned with a few diamonds around a banner with the inscription "SEMPER", i.e. "always", placed on all the buildings for which he was responsible, but also on everyday objects. Families linked to the Medici, such as the Rucellai, adopted this sign: We still see it today on the façade of their city palazzo. Even in Medici times, the diamond ring was a sign of eternity. Here is a diamond ring created in recent years, setting a brilliant-cut diamond of 1.00 ct in a white gold setting The impressive diamond weighs exactly one carat and displays a sparkling firework of light reflections, with only slight toning and some inclusions. The brilliant-cut diamond is accompanied by 28 smaller diamonds that adorn the openwork surface of the ring. Fine millegriffes embellishments and delicate openwork distinguish the setting, which was created in the USA. The 14-karat white gold, with its festive colourfulness, brings out the sparkle of the magnificent centre stone and its shimmering companions particularly beautifully.

In ancient times, diamonds were valued primarily for their incomparable hardness. As symbols of invincible strength, their beauty was secondary at best. In fact, early diamonds do not appear at all attractive to the modern eye. Medieval cutting techniques also did not allow for spectacular light reflections, and the widespread table cuts only brought out the brightness and color of the stones. All this changed in the course of the 17th century. The nobility of the Baroque period developed a taste for glittering gemstones. Rose-cut diamonds, whose many facets reflected candlelight beautifully, were particularly popular. In the middle of the century, a first, early brilliant cut developed, called the Mazarin cut after the influential Cardinal Jules Mazarin, characterized by a crown of 17 facets. By the end of the century, these diamonds were then replaced by a new shape, named the Peruzzi cut after its inventor. Vincenzo Peruzzi was a gem cutter from Venice, who increased the crown of the diamonds by additional facets to a total of 33, thus increasing the fire of the stones enormously. However, these early brilliant diamonds were not standardized in terms of the number and shape of the facets. Each stone was cut in such a way that as much substance as possible could be preserved. New diamond deposits in Brazil in the second half of the 18th century then led to a cut shape that became known as the Old Mine Cut. These diamonds are already very similar to today's full-cut diamonds, but several generations of continuous improvement of the cutting technique were necessary until the Old Mine Cut became the Old European Cut, and finally the modern full cut in the 1940s.

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You can rely on our years of experience in the trade and our expertise as a professional art historians for reviews of the antique jewellery. As a member of various trader organisations and the British Society of Jewellery Historians, we remain committed to the highest possible degree of accuracy. In our descriptions, we always also indicate any signs of age and defects and never hide them in our photos – this saves you from any unpleasant surprises when your package arrives.

Should you for some reason not be satisfied, please don’t hesitate to contact us so that we can begin to find a solution together. In any case, you can return any article within 30 days and we will refund the full purchase price.


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We want you to be 100% satisfied! That’s why we examine, describe and photograph all our jewellery with the utmost care.

If for any reason you are still not satisfied, contact us and we will find a mutual solution immediately. Regardless, you can return any item within 30 days and we will refund you the full purchase price.

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